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Showing 3 results for shahidani
Volume 11, Issue 2 (3-2020)
Abstract
In Pahlavi II period, Iranian cinema flourished and domestic cinematographic films rose. Until then, there were many Indian, Arabic and Western films. With regard to the manner of the community and the sale of the film, the process of producing Iranian films went to "film Farsi". It was made at a low level for the general public. an audience that was the result of incomplete economic reforms, cultural and social changes, and the transformation of society into modernity unfinished. In the 1970s, critical films were also made about the situation of the community. Movies like Secrets of the Jenny valley treasure (1973) Ebrahim Golestan, Tangsir (1974) Amir Nadri, Rock trip (1976) Masud Kimiai. in this research, with a content analysis approach, Three sample films, from critical films in the 1970s were reviewed. selected critical films since the 1970s, the critique of modernization, the conflict between tradition and modernity, crisis and identity conflicts reflecting these conflicts in the form of Islamism and inviting and provoking popular upheaval against oppression. The content and elements of storytelling and illustration in these films, as if the incidents of social uprising and rebellion were anticipated before the Islamic Revolution, was predicted.
Volume 12, Issue 2 (2-2021)
Abstract
Abstract
In the process of the constitutional movement, some intellectual women demanded their individual, family and social rights, and in order to advance these "goals", they published women's newspapers with the focus on improving the status of women. With the coming to power of Reza Shah, the realization of the concepts of patriotism, antiquity and progress to build a new Iran was considered by the government. In this regard, the issue of women and their education as future mothers, upbringing and the type of mother-child relationship, the need for a progressive Iran with emphasis on the family was covered by the media. Iran Patriotic Women's Magazine is one of the publications that was published with the approach of the necessity of educating girls and their role in the implementation of new policies. The question of the present study is how did this newspaper relate the education of women to the concerns of intellectuals and the demands of the government such as patriotism, archeology and progress?
The research hypothesis is that this magazine, considering the first categories of education and then education, in order to promote the awareness of girls and avoid ignorance and superstition in the direction of the macro policies that were proposed on the eve of the Pahlavi government, by recommending various types of education for girls.
Volume 13, Issue 2 (3-2022)
Abstract
Social status indicates the position of the individual in the social structure and in the historical texts of the Safavid era, important information about the social status of artists, including painters, is provided. Despite the general dependence of art on the court, painters in this era were not the same in terms of status and social status, but several components determined the ups and downs of their status. The purpose of this article is to explain the role and social status of Safavid painters in historical texts with emphasis on political historiography, art historiography, memoirs and travelogues. This article is of historical type and with reference to the topics of historical sociology and the method of library research and has been done in a descriptive-analytical manner. Findings indicate that in the historical texts of this era, the position, status and position of painters have been influenced by such things as: religious policies, art of Safavid kings, political competitions, the continuation of artistic families and social mobility by Safavid neighbors.
