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Translation of Quran into other languages is necessary in accelerating the process of human evolution in non-Arab communities. Because, Quran's translation has a considerable impact on culture and society, as the social and cultural context of translator plays an important role in his translation. The comparison of four French translations of Quran from 17 to 20 century, relying on the cultural verses of Sūrah al-Ḥujurāt, helps the authors to express the evolutionary process of the Quran's translation and to clarify this mutual influence. The appropriate translation of these verses, teaches the civilized language to the audience. The correct translation would require correct decoding of the source text and then correct encoding in the target text. The definition of three levels: structure, content and context as the base of the study of translation, introduces the appropriate translation. It clarifies that the maximum commitment to ST moreover to preventing damage to the meaning, complete process of the transmission in a best way by considering these three levels and on the basis of various strategies of translation into demanded conditions in the verse. Thus, this paper chooses Library resources with descriptive-analytical processing and the main objective of this paper is to investigate the evolution of translating the Quran in French, the introducing of superior translation, highlighting of the position of some approaches, by the translation theorists. In this way it is possible to find a combined pattern of approaches to provide a translation of the Quran. We will respond to cause of the revisions of the translations, during the time.

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Since the literary language disrupts mimetic and common framework, the relationship between imagination and reality should be featured. The richness of imaginative representations is also in the light of the literary representation. The literary representation of a place creates another place in the mind and some non-visible virtual spaces are activated. Figures of speech show the literary characteristics of architecture, as well as dialectical relationship between real and imaginary architectural space. So the vocabulary of emotion and the experience of the "I" of several French authors which are selected from the eighteenth century onwards, faced with Iran's architectural spaces will be studied; because, through the different perceptions of subjects, these spaces expand in the literary world. Also, the entrance of time into the world of discourse, cause confusion with the place and the production of meaning.The specification of the relationship between the architecture and the subject, involves examining the space-time architecture in the works of the selected authors. Thus, the need to strive to preserve aesthetic beauty is highlighted, and the plan for the reconstruction of some architectural spaces is to be obtained beyond this reading. This study is aimed at building a symbolic network of Iranian architectural space. Explore of beyond the symbolic architectural spaces reveals the authors' personal myth, and it brings a new identity to the world of work and the architectural spaces in which it flows. Such a study requires a reliance on geocriticism and documentary method, with descriptive-analytic processing.

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Jean-Michel Maulpoix, is a poet who achieves spatial proliferation and saturation of novelty with association to "the others" and causes manifestation of anonymous elements. He disassociates from the types which one present in the operational field of presence; keeps distance from his locative self and initiates an esthetic-perceptual activity with the attendance at virtual locations. All these activities act as crucial factors to proliferate signification. The present study seeks to investigate the purports of proliferation and plurality, by phenomenology of attendance then by various esthetic types in the book "Story of Blue", by Maulpoix, in the framework of semiotics. To this end, author probes the modality of acceptance of the others" by means of esthetic types by the poet, the modality of his transmission in extended circumstance; consequently the impact of esthetic types in amplification of purports and the modality of appearance of elements before the poet. The essential purpose of the present study is to distinguish poet’s presence with the world around, and to show interactive relationship of poet’s inner and outer universe by highlighting the modality of generating these purports.