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Point of view, as the most important aspect of the narrative structure, is the window through which the reader sees the different scenes of the story and the behavior of the characters. The author or the narrator, according to his purpose and skill, uses different methods of point of view in the narration. The present article deals with the descriptive-analytical method of studying the point of view in the tale "Fisherman and Monster" and its related narrative circles in the story collection "One Thousand and One Nights". In this way, the model of Jacques Fontaine, a contemporary semiotician, has been used. He considers the types of applied point of view in the discourse as "universal, cumulative or serial, selective, particularizing, parallel and conflicting ". Based on this, the research answers the question of which cognitive angles did the narrator use in the story of the fisherman and the monster and how? The findings of the research show that with every point of view and rotation, the author creates new form and new meaning in the story in order to have a greater impact on the structure and reach the meaning and purpose. He has used different types of
cognitive points of view based on purposefulness, but the "universal" one, due to the omniscient nature of the narrator and the use of description technique, has the highest frequency in the above-mentioned story and its narrative circles.

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This paper studies the conditions of production and understanding of the meaning of “Leqa-on Fi LazateRahil” by Nasrin Edris, Lebanese author. The story of “Leqa..” can be studied sustainability from a new semantic point of view, which includes the photographer and the fighters’ active discourses. Hamzah follows the program; his skill in the photography creates the main character in the action. The Commander has an important role in the acquisition of Hamzah’s emotional ability. In the second discourse, the fighters enter into action after the contract and obtaining the ability. Therefore, the main actions are performed simultaneously; the fighters fight and Hamzah takes photos. All procedures are performed respectively. The dominant discourse is intelligent, but emotional processes, especially photographer part, play an important role in the story forming. The aim of this research was to study the semantic process and narrative traits of the “Leqa..” story in order to achieve the main meaning functions and details. Also the effect of emotion on the meaning process has been investigated

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Quran artistic literature – especially prophets` stories- as a rich speech series with meaning layers provides the capacity of semiotic analysis for Qurans` researchers. This approach studies the production, perception and function of meaning in discourse disciplines, with the aim of making Quran concepts more practical, with an updated language relying on semiotics strategies. The present study tries to make it possible and clarifies and studies the Quran with more details. In this way, by the aim of applying Quran concepts with modern languages studies, the story of Queen of Sheba believing in Allah has been explored based on semiotics findings.  This unique story gathered religious aim and artistic techniques beautifully.
Present approach investigates to explain management and religious governance that have a main role in transforming a person and a society. The main problem is finding the role of emotional and cognitive presence in How Queen of Sheba believed in Allah and reached monotheism. In this way, the author tries to investigate the process of semiotic change by investigating form- content approach, analyzing the process of content change and regime in power of this story. Present study with such an objective and using descriptive method and semiotics approach analysis ( based on Tension based discourse analysis)  wants to answer two main questions:  - How interweaving of cognitive and emotional perspectives makes the process of discourse? – Which intelligent schema are made or dominated based on this process? The hypothesis is that cognitive and emotional reaction, bring about tensive process and intelligent schema that is dominated with amplification construction of two perspectives.
The findings of the current research showed that in studying the meaning of this story, tensive process acts as a more significant basis. The Queen intends to reconstruct the type of her presence in the new experience and the position of the court Solomon, the prophet. Mingling this emotional and cognitive presence in fluctuant and spectral reaction, causes the process of the meaning of the story which tends towards the tensive discourse. In this interaction, through a step by step operation, the discourse moves from the first meaning (following the discipline of shirk) to the second meaning (faith to Allah) and in this way, meaning change occurs.  This change associates with the discourse connections and discontinuities. In these connections and discontinuities tensive process leads to the formation of three intelligent schemas; amongst them, intelligent process schema is dominated with constant amplification construction in two perspectives of density and spectrum.
 

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Storytelling is one of the important strategies in the Holy Qur'an to express its teachings. In this literary-artistic style, the Qur'an tries to stimulate religious feeling and human consciousness. One of the most important and fascinating stories of the Qur'an, which is illustrated for the educational purposes and the propagation of values, is the story of the Prophet Solomon and the Queen of Sheba. In the present study, the story is interpreted with a semiotic approach with the aim of explaining the Qur'anic concepts and applying them, as well as understanding the methodology of the Qur'an in producing discourse. With such an objective, it answers the question of how the process of meaning creation occurs. The narrative structure in the text is such that the performance function controls the process of creating meaning. The findings showed that the performance function governing this story shapes the performance discourse system. The nature of this system is shaped by the elimination of the crisis of meaning (polytheism). In this system, the strategy of acquiring a valuable object has both an operational and a programmatic aspect. Solomon and his activists achieved the object through a process of competence-performance and step-by-step operation, moving the Sabaeans from the first meaning (polytheism and lack of faith) to the second meaning (monotheism and godliness). In this way, with Solomon's soft power, the polytheistic political system in the land of Sheba is transformed into a monotheistic political system.
          
1. Introduction
The narrations of the prophets are rich and unique collections that have the capacity of the semiotic study. These stories are mentioned in the Qur'an in order to awaken both the human and society and bring them closer to the ideal situation. In fact, the art of storytelling in the Qur'an is considered as a strategy to propagate the values and intellectual development of the society.
Since the main purpose of the Holy Qur'an is to convey messages in line with the human guidance, it cannot be claimed that the narrations in the Qur'an have only aesthetic and artistic functions. Accordingly, the semiotic necessity of the Qur'anic narrations as well as the method of creating meaning so as to produce discourse are of special importance. One of these unique narrations, which is depicted with the aim of belief and political education with a special artistic technique, is the story of Solomon and the Queen of Sheba. The present study aims to explain the managerial role and the soft power of Solomon as well as the credibility of the Queen of Sheba in order to analyze the discourse functions of the story. The main issue of this study is to find the role of cognitive presence in how the Queen of Sheba believes and reaches the object of faith. The present study aims to explain the Qur'anic concepts and to apply them and to understand the Qur'anic method in producing discourse, as well as to explain the managerial role and the soft power of Solomon and the credibility of the Queen of Sheba, in order to analyze the discourse functions of the story.
 
2. Purpose, Questions and Hypotheses
The present study aims to explain the Qur'anic concepts and to apply them and to understand the Qur'anic method in producing discourse, as well as to explain the managerial role and the soft power of Solomon and the credibility of the Queen of Sheba, in order to analyze the discourse functions of the story.
This article seeks the answers to two questions: A. What kind of system does the governing process of the story of Solomon and the Queen of Sheba create in the Qur'an? B. How is an attachment with an object of value obtained? It is assumed that the the performance function makes the performance-oriented discourse governing and the actors achieve the object of value through a step-by-step operation and a narrative performance process.
 
3. Innovation

Because semiotics provides a methodological and coherent framework for the study of prolific texts, the narrative domains of the Holy Qur'an also provide the basis for such studies. Researchers have taken advantage of this opportunity to write in the field of semiotics in the Qur'anic stories.

Qur'anic performance-oriented discourses have not been studied yet. The present article attempts to study and analyze one of the most beautiful stories of the Qur'an focusing on the performance and manner of the presence of the actors.

4. Methodology
This article analyzes the discourse functions of the story of the Prophet Solomon and the Queen of Sheba with an analytical-inferential method and a semiotic approach.
 
5. Results
The findings suggest that the performance function governing this story shapes the performance discourse system. The nature of this system has been shaped by resolving the crisis of meaning (polytheism). In this system, the strategy of acquiring the object of value has both operational and programmatic aspects. Different ways of the presence of the actors, on which the creation of meaning depends, are tied to the modal verbs, and the performance obtains results through the process. In this action system, polytheism and sun-worship are a crisis that has led the people of the land of Sheba to break away from the object of value of faith and monotheism. The Prophet Solomon uses his soft power to lead the people of Sheba to the valuable object of monotheism and to resolve the crisis. He achieves the goal through a step-by-step operation and a performance process, which he is in the center of it, accompanied by the actors, and connects the Shebans to the object.In this programmatic operation, meaning changes from a negative state of unbelief to a positive state of faith in God.Thus, with Solomon's soft power, the political system based on polytheism in the land of Sheba is changed to a political system based on monotheism